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Cohn’s hero, named Vincent, was a tough, violent guy but a great dancer who yearned for a chance to shine, and to escape the mean streets of Brooklyn.
On an icy winter night in 1975, Cohn had made his first trip to Bay Ridge with a disco dancer called Tu Sweet, who would serve as his Virgil.
Mc Cormick thought of him as “a sort of tragic figure, but enormously sympathetic.” A manic-depressive, Wexler was on and off his meds; when he stopped, all hell broke loose.
Karen Lynn Gorney, who played Stephanie Mangano, Tony’s love interest in the movie, remembers, “He would come into his agent’s office, or try to pitch a script to somebody, and start giving nylons and chocolates to the secretaries.” He could turn violent, and was known to sometimes carry a .32-caliber pistol. But Mc Cormick was pleased when the script came in.
So the deal was made, and Cohn was paid ,000 for the rights. In Los Angeles, Stigwood’s assistant, Kevin Mc Cormick, a brilliant, lean 23-year-old from New Jersey, went from office to office looking for one.
The client was director John Avildsen, and he brought in screenwriter Norman Wexler, who had earned his first Academy Award nomination for the screenplay for for the screen (which brought him a second Oscar nomination).
In 1998, Travolta was honored by the British Academy of Film and Television Arts with the Britanna Award: and in that same year he received the Lifetime Achievement Award at the Chicago Film Festival.
From Travolta’s famous “Stayin’ Alive” strut to the mid-filming death of his girlfriend, to three harrowing nights on the Verrazano-Narrows Bridge, Sam Kashner has the story of a culture-bending hit, whose music—by a revitalized 60s band called the Bee Gees—became the best-selling soundtrack of its time Robert Stigwood, the 42-year-old Australian impresario known as “the Daryl Zanuck of pop,” was out of his mind.
In the grip of a manic episode, he once bit a stewardess on the arm; on another flight he announced that he had a plan to assassinate President Nixon. ” he yelled, holding up a magazine picture of the president. At l49 pages, “it was way, way, way, way too long, but quite wonderful.
I think what Norman did so well was to create a family situation that had real truth, an accurate look at how men related to women in that moment, in ways that you would never get away with now.” Wexler transformed Vincent into Tony Manero and gave him a young sister and a favored older brother who breaks his mother’s heart by leaving the priesthood.
He’d made his way to London in the early l960s and ended up managing the Beatles organization for Brian Epstein.