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But something seemed a bit off during her DNC performance.
Keys began her set with 2007’s “Superwoman,” a girl-power jam intended to inspire Clinton’s base.
Now the singer is attempting to disengage from that sordid drama by reorienting her public image.
One of the many things I was tired of was the constant judgment of women,” she wrote.The problem was, he was still legally married to R&B singer Mashonda Tifrere.Unlike her previous relationship, Keys’ public forays with Beatz were well-covered by black gossip sites, an unavoidable outcome given her new partner’s high profile. ”) and Bossip posted early and often about the illicit romance: how Keys had rented out the Guggenheim Museum for Beatz’s birthday, how Swizz Beatz had bragged about the affair on Drake’s “Best I Ever Had” remix, and how Keys allegedly taunted Mashonda by tweeting, “Having a heated debate n the studio. N love is it better to go 4 the choice that is ‘SMART’ or the choice that has ‘SPARK’??Styled in beaded cornrows, flowing scarves, and flared hip-huggers, she burst onto the music scene like a pop send-up of the ’70s jazz multi-instrumentalist Patrice Rushen.In a 2001 profile, Rolling Stone heaped on honorifics, hailing her as “The Next Queen of Soul,” and “neosoul’s newest princess, a black woman impacted equally by hip-hop, soul, Prince and classical.” Keys was a dual-threat: By playing the piano and singing, she claimed the prodigious space Lauryn Hill had recently abandoned while also appealing to the mainstream crowds that eluded her alt-R&B cadre D’Angelo and Erykah Badu.
(In a 2006 episode of The Office, Michael Scott, a caricature of white fragility, bragged about attending a Keys concert.) In 2002, SF Gate called her a “critical and commercial sweetheart.” Songs in A Minor went on to sell more than 6 million copies in the US and garnered Keys five awards at the 2002 Grammys, including Best New Artist, Song of the Year, and Best R&B album.